CURRENT

UPCOMING

Josh Mannis

→

2 septembre - 7 octobre 2017

1:54 Contemporary Africain Art Fair

5 octobre - 8 octobre 2017


Cameron Platter
Che Lovelace

@ Somerset House - London

FIAC

19 octobre - 22 octobre 2017


Ciprian Muresan
Jon Pylypchuk

@ Grand Palais - Paris

assume vivid astro focus

New Shamans/Novos Xamãs: Brazilian Artists  ••›

Rubell Family Collection, Miami, US

26 janvier - 25 août 2017

Mira Dancy

Call Me  ••›

Chapter, NY

28 avril - 3 juin 2017

Future woman // Remake me

Yuz Museum, Shanghai

8 novembre - 15 janvier 2017

'Future Woman // Remake me', Artist residency of project room series.

Stephan Dillemuth

Sound and Smoke – a Revue in Pictures  ••›

Künstlerhaus Graz, Austria

22 avril - 11 juillet 2017

Eberhard Havekost

Inhalt  ••›

KINDL - Centre for Contemporary Art, Berlin

22 octobre - 19 février 2017

Logik  ••›

Galerie Rudolfinum, Prague

6 avril - 2 juillet 2017

Ciprian Muresan

Venice Biennale - Viva Arte Viva, curated by Christine Macel  ••›

Venice, Italy

13 mai - 26 novembre 2017

Doublethink - Double vision  ••›

Pera Museum, Istanbul

25 mai - 6 août 2017

Martin d'Orgeval

Photographs  ••›

Houghton Hall

5 juin - 25 septembre 2016

Revoir  ••›

Maison Européenne de la Photographie

7 septembre - 30 octobre 2016

Cameron Platter

Public Intimacy : Art and Other ordinary Acts in South Africa

SFMOMA, San Francisco

21 février - 29 juin 2015

Whatiftheworld, Cape Town, South Africa

28 janvier - 12 mars 2016

Jon Pylypchuk

Concrete Island  ••›

Venus Los Angeles

11 mars - 20 mai 2017

Torben Ribe

BARBADOS (It's not where you're from, it's where you're at)  ••›

David Risley Gallery

7 mars - 4 avril 2015

Lasse Schmidt Hansen

The Duchamp Effect. Readymade  ••›

Kunsthalle Göppingen

11 décembre - 26 février 2017

The concept of the readymade was ‘born’ in 1916 when Marcel Duchamp, in New York, defined it in a letter to his sister in Paris. The aim of the readymade is to achieve a radical revaluation of artistic production: this consists principally of an act of selection and reduction applied to already existing elements, with the focus on ‘exhibition-immanent’ aspects such as presentation, communication, documentation, and dissemination. Furthermore, the readymade redefines the reality character and the reproduction function of the artwork as well as the role of observers as ‘interpreters’. The exhibition ‘The Duchamp-Effect. Readymade’ explores the historical and contemporary significance of the readymade, using artworks from the collection. The intention is that the aspects of art theory and art criticism should be incorporated as critical factors in the history of the reception of readymades.

Curators: Renate Wiehager / Werner Meyer

Eppur Si Muove  ••›

MUDAM, Musée d’Art Moderne Grand-Duc Jean, Luxembourg

9 juillet - 17 janvier 2015

Diana Thater

Diana Thater: A Runaway World  ••›

The Mistake Room, Los Angeles, CA

1 avril - 3 juin 2017

Diana Thater : The Sympathetic Imagination  ••›

MCA, Chicago

29 octobre - 8 janvier 2017

Come As You Are: Art of the 1990s  ••›

University of Michigan Museum of Art, Ann Arbor, Michigan [travels to Blanton Museum of Art, The University of Texas at Austin]

17 octobre - 31 janvier 2016

Come As You Are: Art of the 1990s  ••›

Blanton Museum of Art, The University of Texas at Austin

17 février - 15 mai 2016