This is a half ass portrait of Werner von Braun, Jon Pylypchuk, 2017, Enamel, spraypaint, light bulbs, fabric, on panel on linen, 198 x 198 x 5 cm (78"x78"x 2”)

I'm saving all my love for you, Jon Pylypchuk, 2017, Enamel, spraypaint, light bulbs, fabric, on panel on linen, 198 x 244 x 5 cm (78"x96"x 2”)

Untitled (detail), Jon Pylypchuk, 2019, Mixed media on panel, 48 x 44 inches, Fredric Snitzer gallery

Untitled, Jon Pylypchuk, 2019, Mixed media on panel, 48 x 44 inches, Fredric Snitzer gallery

If George Burns is Dead I Want to be Dead Too, Jon Pylypchuk, 2018, Bronze and enamel paint on wooden plinth, 35 x 30 x 13 inches, Unique, Edition 3 of plus 2 AP. Installation view Nino Mier gallery.

American Moses, Jon Pylypchuk, Installation view, Nino Mier Gallery, 2018

Untitled, Jon Pylypchuk, 2017

detail Jon Pylypchuk, 2017

detail Jon Pylypchuk, 2017

Jon Pylypchuk, 2005, vue d'installation, galerie Hussenot, Paris

Welcome to America fuck faces (détail), 2007, Mixed media on wood, 246 x 122 x 5 cm

Welcome to America fuck faces (détail), 2007, Mixed media on wood, 246 x 122 x 5 cm

Dance on, you drunk prick, 2011, Bronze, Unique piece, 45 x 40 x 20 cm

Propelled through life by a staggering lack of dignity, 2007, Mixed media, glass, 56 x 80 x 60 cm

Jon Pylypchuk, 2007, vue d'installation, galerie Hussenot, Paris

Andy and I have found no reason to stop loving you, 2007, Mixed media, 140 x 70 x 50 cm

Untitled (three cats and bird), 2005, Mixed media, 122 x 122 x 91,5 cm

I won't give up on you, 2013, vue d'installation, ALAC, LA.

Jon Pylypchuk’s press a weight through life, and i will watch this crush you, 2006, Second Canadian Biennale, National Gallery of Canada, Ottawa

Jon Pylypchuk’s press a weight through life, and i will watch this crush you (détail), 2006, Second Canadian Biennale, National Gallery of Canada, Ottawa