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This is a half ass portrait of Werner von Braun, Jon Pylypchuk, 2017, Enamel, spraypaint, light bulbs, fabric, on panel on linen, 198 x 198 x 5 cm (78"x78"x 2”)
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I'm saving all my love for you, Jon Pylypchuk, 2017, Enamel, spraypaint, light bulbs, fabric, on panel on linen, 198 x 244 x 5 cm (78"x96"x 2”)
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Untitled (detail), Jon Pylypchuk, 2019, Mixed media on panel, 48 x 44 inches, Fredric Snitzer gallery
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Untitled, Jon Pylypchuk, 2019, Mixed media on panel, 48 x 44 inches, Fredric Snitzer gallery
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If George Burns is Dead I Want to be Dead Too, Jon Pylypchuk, 2018, Bronze and enamel paint on wooden plinth, 35 x 30 x 13 inches, Unique, Edition 3 of plus 2 AP. Installation view Nino Mier gallery.
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American Moses, Jon Pylypchuk, Installation view, Nino Mier Gallery, 2018
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Untitled, Jon Pylypchuk, 2017
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detail Jon Pylypchuk, 2017
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detail Jon Pylypchuk, 2017
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Jon Pylypchuk, 2005, vue d'installation, galerie Hussenot, Paris
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Welcome to America fuck faces (détail), 2007, Mixed media on wood, 246 x 122 x 5 cm
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Welcome to America fuck faces (détail), 2007, Mixed media on wood, 246 x 122 x 5 cm
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Dance on, you drunk prick, 2011, Bronze, Unique piece, 45 x 40 x 20 cm
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Propelled through life by a staggering lack of dignity, 2007, Mixed media, glass, 56 x 80 x 60 cm
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Jon Pylypchuk, 2007, vue d'installation, galerie Hussenot, Paris
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Andy and I have found no reason to stop loving you, 2007, Mixed media, 140 x 70 x 50 cm
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Untitled (three cats and bird), 2005, Mixed media, 122 x 122 x 91,5 cm
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I won't give up on you, 2013, vue d'installation, ALAC, LA.
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Jon Pylypchuk’s press a weight through life, and i will watch this crush you, 2006, Second Canadian Biennale, National Gallery of Canada, Ottawa
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Jon Pylypchuk’s press a weight through life, and i will watch this crush you (détail), 2006, Second Canadian Biennale, National Gallery of Canada, Ottawa
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