A Higher State of Consciousness

26 Jan. - 2 Mar. 2019
Antoine Aguilar
assume vivid astro focus
Stephan Dillemuth
Cameron Jamie
Terence Koh
Miltos Manetas
Cameron Platter
Jon Pylypchuk
A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

I’m saving all my love for you, Jon Pylypchuk, 2017, Enamel, spray-paint, light bulbs, fabric, on panel on linen, 183 x 244 x 5 cm (72 x 96 x 2 inches) 
 — Galerie Éric Hussenot, Paris

I’m saving all my love for you, Jon Pylypchuk, 2017, Enamel, spray-paint, light bulbs, fabric, on panel on linen, 183 x 244 x 5 cm (72 x 96 x 2 inches)

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

Fractured Sins, Cameron Jamie, 2009, Ink on paper, Wooden panel,  
160 x 121 cm (drawing) - 240 x 138 cm (wooden panel) 
63 x 47 ½ (drawing) – 94 ½ x 54 inches (wooden panel) 
 — Galerie Éric Hussenot, Paris

Fractured Sins, Cameron Jamie, 2009, Ink on paper, Wooden panel,
160 x 121 cm (drawing) - 240 x 138 cm (wooden panel)
63 x 47 ½ (drawing) – 94 ½ x 54 inches (wooden panel)

Fractured Sins (detail), Cameron Jamie, 2009, Ink on paper, Wooden panel,  
160 x 121 cm (drawing) - 240 x 138 cm (wooden panel) 
63 x 47 ½ (drawing) – 94 ½ x 54 inches (wooden panel) 
 — Galerie Éric Hussenot, Paris

Fractured Sins (detail), Cameron Jamie, 2009, Ink on paper, Wooden panel,
160 x 121 cm (drawing) - 240 x 138 cm (wooden panel)
63 x 47 ½ (drawing) – 94 ½ x 54 inches (wooden panel)

Zhang ZYI Buddha Fly Earth (Two Moon Devil), Terence Koh, 2006, Plastic, clay, wood, enamel paint, spray paint, paraffin, beeswax, artist’s blood, Chanel lipstick,  
161 x 27 x 27 cm (63 x 10½ x 10 ½ inches)	 
 — Galerie Éric Hussenot, Paris

Zhang ZYI Buddha Fly Earth (Two Moon Devil), Terence Koh, 2006, Plastic, clay, wood, enamel paint, spray paint, paraffin, beeswax, artist’s blood, Chanel lipstick,
161 x 27 x 27 cm (63 x 10½ x 10 ½ inches)

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

Neige (RVBB), Antoine Aguilar, 2014, Encre sur papier,  
55 x 70 x 3 cm (21 ½ x 27 ½ x 1 inches)	 — Galerie Éric Hussenot, Paris

Neige (RVBB), Antoine Aguilar, 2014, Encre sur papier,
55 x 70 x 3 cm (21 ½ x 27 ½ x 1 inches)

Neige, Antoine Aguilar, 2017, Encre sur papier,  
24 x 33 cm (9 ½ x 13 inches) 
 — Galerie Éric Hussenot, Paris

Neige, Antoine Aguilar, 2017, Encre sur papier,
24 x 33 cm (9 ½ x 13 inches)

Neige, Antoine Aguilar, 2017, Encre sur papier,  
24 x 33 cm (9 ½ x 13 inches) 
 — Galerie Éric Hussenot, Paris

Neige, Antoine Aguilar, 2017, Encre sur papier,
24 x 33 cm (9 ½ x 13 inches)

Neige, Antoine Aguilar, 2017, Encre sur papier,  
24 x 33 cm (9 ½ x 13 inches) 
 — Galerie Éric Hussenot, Paris

Neige, Antoine Aguilar, 2017, Encre sur papier,
24 x 33 cm (9 ½ x 13 inches)

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

Bebop, to make shame more shameful by making it public, Stephan Dillemuth, 2017, Plaster, cogwheel, boar head, torso, skeleton, lamp, 175 (H) x 65 x 70 cm (69 x 25 ½ x 27 ½ inches) 
 — Galerie Éric Hussenot, Paris

Bebop, to make shame more shameful by making it public, Stephan Dillemuth, 2017, Plaster, cogwheel, boar head, torso, skeleton, lamp, 175 (H) x 65 x 70 cm (69 x 25 ½ x 27 ½ inches)

Bebop, to make shame more shameful by making it public, Stephan Dillemuth, 2017, Plaster, cogwheel, boar head, torso, skeleton, lamp, 175 (H) x 65 x 70 cm (69 x 25 ½ x 27 ½ inches) 
 — Galerie Éric Hussenot, Paris

Bebop, to make shame more shameful by making it public, Stephan Dillemuth, 2017, Plaster, cogwheel, boar head, torso, skeleton, lamp, 175 (H) x 65 x 70 cm (69 x 25 ½ x 27 ½ inches)

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

Untitled, Cameron Platter, 2018, Ceramic bottles,  
42 x 10 cm (16 ½ x 4 inches) 
 — Galerie Éric Hussenot, Paris

Untitled, Cameron Platter, 2018, Ceramic bottles,
42 x 10 cm (16 ½ x 4 inches)

Untitled, Cameron Platter, 2018, Ceramic bottles,  
42 x 10 cm (16 ½ x 4 inches) — Galerie Éric Hussenot, Paris

Untitled, Cameron Platter, 2018, Ceramic bottles,
42 x 10 cm (16 ½ x 4 inches)

Untitled, Cameron Platter, 2018, Ceramic bottles,  
42 x 10 cm (16 ½ x 4 inches) — Galerie Éric Hussenot, Paris

Untitled, Cameron Platter, 2018, Ceramic bottles,
42 x 10 cm (16 ½ x 4 inches)

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

A Higher State of Consciousness, assume vivid astro focus, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, assume vivid astro focus, Vue d'installation, 2019, Hussenot, Paris

Kiss Me Kiss Me, assume vivid astro focus, 2018, Tempera on magazine paper,  
26,9 x 20 cm (10 ½ x 8 inches)	 
 — Galerie Éric Hussenot, Paris

Kiss Me Kiss Me, assume vivid astro focus, 2018, Tempera on magazine paper,
26,9 x 20 cm (10 ½ x 8 inches)

Marian, Chantal et Nathalie Açai, assume vivid astro focus, 2018, Tempera on magazine paper,  
26,9 x 20 cm (10 ½ x 8 inches)	 — Galerie Éric Hussenot, Paris

Marian, Chantal et Nathalie Açai, assume vivid astro focus, 2018, Tempera on magazine paper,
26,9 x 20 cm (10 ½ x 8 inches)

Taffy la Fluff, Viral Vanessa Viral et Sonia Bluetooth, assume vivid astro focus, 2018, Tempera on magazine paper,  
26,9 x 20 cm (10 ½ x 8 inches)	 — Galerie Éric Hussenot, Paris

Taffy la Fluff, Viral Vanessa Viral et Sonia Bluetooth, assume vivid astro focus, 2018, Tempera on magazine paper,
26,9 x 20 cm (10 ½ x 8 inches)

Crystal Banana, Juanita Kombucha, Gina Kinoa et Aloe Vera Fut, assume vivid astro focus, 2018, Tempera on magazine paper,  
26,9 x 20 cm (10 ½ x 8 inches)	 — Galerie Éric Hussenot, Paris

Crystal Banana, Juanita Kombucha, Gina Kinoa et Aloe Vera Fut, assume vivid astro focus, 2018, Tempera on magazine paper,
26,9 x 20 cm (10 ½ x 8 inches)

Trixie Broccoli, Spirulina Natasha, Goji Cherry Cherry, assume vivid astro focus, 2018, Tempera on magazine paper,  
26,9 x 20 cm (10 ½ x 8 inches)	 — Galerie Éric Hussenot, Paris

Trixie Broccoli, Spirulina Natasha, Goji Cherry Cherry, assume vivid astro focus, 2018, Tempera on magazine paper,
26,9 x 20 cm (10 ½ x 8 inches)

Tata Rama, Suzanna Rustica, Wheel Dolive et Clara Abstract, assume vivid astro focus, 2018, Tempera on magazine paper,  
53,8 x 20 cm (21 x 8 inches) — Galerie Éric Hussenot, Paris

Tata Rama, Suzanna Rustica, Wheel Dolive et Clara Abstract, assume vivid astro focus, 2018, Tempera on magazine paper,
53,8 x 20 cm (21 x 8 inches)

Vaporette Nicolette, Ghislaine Extreme et Honey Suckie Duckie , assume vivid astro focus, 2018, Tempera on magazine paper,  
53,8 x 20 cm (21 x 8 inches) — Galerie Éric Hussenot, Paris

Vaporette Nicolette, Ghislaine Extreme et Honey Suckie Duckie , assume vivid astro focus, 2018, Tempera on magazine paper,
53,8 x 20 cm (21 x 8 inches)

Aceeed Chlorella, Chia Chia Ciao, Kurkuma Exotica et Omega Boost, assume vivid astro focus, 2018, Tempera on magazine paper,  
53,8 x 20 cm (21 x 8 inches) 
 — Galerie Éric Hussenot, Paris

Aceeed Chlorella, Chia Chia Ciao, Kurkuma Exotica et Omega Boost, assume vivid astro focus, 2018, Tempera on magazine paper,
53,8 x 20 cm (21 x 8 inches)

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris — Galerie Éric Hussenot, Paris

A Higher State of Consciousness, Vue d'installation, 2019, Hussenot, Paris

The Mother of It All, Miltos Manetas, 2013, Video in loop : 9.28 mins 
 — Galerie Éric Hussenot, Paris

The Mother of It All, Miltos Manetas, 2013, Video in loop : 9.28 mins