Exposition 'Where The Awning Flaps' Organized by Queer Thoughts & Franklin Melendez

Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Pushing Up the Daisies, Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Grisette, Sascha Braunig, 2013-2014, Oil on canvas over panel,
40,5 x 21 cm
Pushing Up the Daisies (détail), Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Pushing Up the Daisies (détail), Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Blush on a Man , Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Blush on a Man (détail), Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Blush on a Man (détail), Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Untitled, David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
Untitled, David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
Untitled, David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
Concrete Expression n° 23, Chloe Seibert, 2015, Concrete, 61 x 74 cm
Reaming, Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Reaming (détail), Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Reaming (détail), Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Reaming (détail), Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Untitled, Body by Body, 2015, wall drawing, installation in situ.
Untitled, Body by Body, 2015, wall drawing, installation in situ.
Untitled, Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
Untitled, Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
The Boss and the Assassin #1, Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 25,5 x 35,5 cm
The Boss #5, Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 152,5 x 101,5 cm
Drawing Restraint 7 (Guillotine), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Untitled, Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
Untitled, Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
Relief Cage, Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
Relief Cage, Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
The Gloom of All The World, Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
The Gloom of All The World, Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
Pure, Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 003), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Pure, Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 004), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Pure, Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 005), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
El Maragato Barometrica, Lucas Michael, 2013, Video
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm

Éric Hussenot

‘Where The Awning Flaps’ Organized by Queer Thoughts & Franklin Melendez