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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Pushing Up the Daisies, Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Where The Awning Flaps, Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
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Grisette, Sascha Braunig, 2013-2014, Oil on canvas over panel,
40,5 x 21 cm
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Pushing Up the Daisies (détail), Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
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Pushing Up the Daisies (détail), Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
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Blush on a Man , Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
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Blush on a Man (détail), Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
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Blush on a Man (détail), Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
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Untitled, David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
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Untitled, David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm -
Untitled, David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
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Concrete Expression n° 23, Chloe Seibert, 2015, Concrete, 61 x 74 cm
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Reaming, Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
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Reaming (détail), Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
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Reaming (détail), Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
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Reaming (détail), Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
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Untitled, Body by Body, 2015, wall drawing, installation in situ.
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Untitled, Body by Body, 2015, wall drawing, installation in situ.
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Untitled, Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
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Untitled, Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
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The Boss and the Assassin #1, Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 25,5 x 35,5 cm
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The Boss #5, Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 152,5 x 101,5 cm
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Drawing Restraint 7 (Guillotine), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Untitled, Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
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Untitled, Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
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Relief Cage, Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
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Relief Cage, Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
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The Gloom of All The World, Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
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The Gloom of All The World, Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
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Pure, Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 003), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
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Pure, Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 004), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
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Pure, Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 005), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
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El Maragato Barometrica, Lucas Michael, 2013, Video
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
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Drawing Restraint 7 (Guillotine) (détail), Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
PAST
‘Where The Awning Flaps’ Organized by Queer Thoughts & Franklin Melendez
11 juin - 20 juillet 2015
